the bride,
those bodies fallen from heaven stretched out waiting naked and restless,
arms resting over their eyes in the darkness,
bury my face in their shoulders and breasts, breathing their skin,
and stroke and kiss neck and mouth and make back be open and known,
legs raised up crook'd to recieve, cock in the darkness driven tormented and
attacking
roused up from hole to itching head,
bodies locked shuddering naked, hot hips and bottocks screwed into each
other
and eyes, eyes glinting and charming, widening into looks and abandon,
moans of movement, voices, hands in air, hands between thighs,
hands in moisture on softened hips, throbbing contraction of bellies
till the white come flow in the swirling sheets,
and the bride cry for forgiveness, and the groom be covered with tears of
passion and compassion,
and I rise up from the bed replenished with last intimate gestures and kisses
of farewell -
all before the mind wakes, behind shades and closed doors in a darkened
house
where the inhabitants roam unsatisfied in the night,
nude ghosts seeking each other out in the silence.
-Allen Ginsberg
I was perusing through Reality Sandwiches earlier today and I re-acquainted myself with this poem. It made me think of the midterm, mainly because Whitman was involved and this poem is written in a very Whitman-esque manner. I personally believe it's one of Ginsberg's best pre-Howl poems. It's an open celebration of homosexuality and of the rejection monogamy, themes prevalent in both mens work.
-Karina
Good find and connection to the course work Karina.
ReplyDeleteTrey
Hi Katrina. I think you forgot a word, in my copy the tenth line reads "/AND/ moans of movement ...". Thank you for posting the poem (:
ReplyDeletemerlijn